Review by Jack Lynch for TONE DEAF

A long way from their home in New Orleans, Louisiana, The Soul Rebels brought some heavy brass to the Melbourne Recital Centre ahead of their Bluesfest performance. As musicians, they were near perfect, blasting their way through an hour and a half of brassed-out soul, r n’ b, and hip hop.

The atmosphere in the venue was far more subdued than in New Orleans’ French Quarter, with the majority of the Tuesday night crowd feeling more comfortable in their chairs than standing up and physically showing their enthusiasm.(4/5/14)

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The Soul Rebels on TKA

Review by Alix Cohen for Broadway World

Watching Stacey Kent perform Portuguese music has got to be the next best thing to actually being in Brazil. As she exhibited last night at Birdland for two shows, Kent gets this genre perhaps better than any other contemporary American performer. She performs with palpable sensitivity and infectious joie de vivre. (7/23/15)

Read the full article on Broadway World
Stacey Kent on TKA

Review by Andrew Velez (The New York City Jazz Record)

Stacey Kent is a skillful and multilingual mood builder with a particular affinity for making happy things happen with Brazilian music. She begins her latest album in the mood of a tender bossa, a style at which she excels. All the support that’s needed for “This Happy Madness” comes from Graham Harvey’s quietly expressive piano. Kent brings exactly to life the very happy confusion of being caught up with feelings that turn “the world into a baby’s bouncing ball.” Her sense of wonder is delicious as she inquires wonderingly, “What should I call this happy madness that I feel inside of me?”

Read the full article on The New York City Jazz Record p. 20
Stacey Kent on TKA

I have become obssessed with Wintergatan since catching the final two songs of their set at the Roskilde Festival in Denmark last month. That’s how much they impressed me; two songs were enough to sell me on the band right away, and I’ve fallen head over heels since. I was so taken with their music that I felt compelled to use my expensive international data plan to listen to their only album on Spotify the very next day, in the airport — I couldn’t wait just a few hours until I was back home.

Read the Full Article on MetalSucks
Wintergatan on TKA

Mayor Nutter announced Monday that Wynton Marsalis, the jazz and classical musician, composer, and arts advocate, is the recipient of the 2015 Marian Anderson Award.

Marsalis, winner of a Grammy Award and a Pulitzer Prize, and honored with the National Medal of Arts, joins other recipients of the medal, including Sidney Poitier, Maya Angelou, Mia Farrow, James Earl Jones, Berry Gordy Jr., and 2014 winner Jon Bon Jovi.

Read the full article on Philadelphia Inquirer
Wynton Marsalis on TKA 

The next highlight in a robust “We Always Swing” Jazz Series season brings the Bill Charlap Trio — with a special guest, tenor saxophonist Houston Person — to town next Sunday.

Part of the Series’ “Jazz in the District” offerings, the group will perform at the Columns Ballroom in the Reynolds Alumni Center on the University of Missouri campus and is the first of two MU Arts and Sciences Signature Concerts. The second is the Newport Jazz Festival: Now 60 show at the Missouri Theatre next month.

Read the full article on Columbia Daily Tribune
Bill Charlap on TKA 

Feature by Russ Musto (New York City Jazz Record)

It’s hard for Bill Charlap to imagine becoming anything other than a jazz pianist. The son of the late Broadway composer Moose Charlap and vocalist Sandy Stewart is recognized as one of the top interpreters of the Great American Songbook. Charlap credits his parents with giving him strong musical roots, explaining, “I don’t ever remember a time when I didn’t play piano. I tried to imitate what my father was doing; he had great energy and was very dynamic. He wasn’t a pianist or singer, he was a songwriter and a great theater writer. His playing was so infectious that other composers asked him to do backer auditions of their songs for them.” The pianist is influenced by his mother, too. “Sandy is a great singer. I’ve always heard her turn a phrase in my inner ear; I hear certain things that she does musically. She sang with Benny Goodman in the ‘60s. We’ve made records for Ghostlight and Blue Note. We performed together for years at the Algonquin and Feinstein’s; she’ll join us at the Y. A child hears his mother’s voice and it must do something psychically. But neither parent was a jazz musician, so a kid has to find his own way.”

Read the full article here
Bill Charlap on TKA 

Video Interview by Abe Beeson (Jazz24/NPR)

Many music lovers know Juan de Marcos González as the man who teamed up with guitarist Ry Cooder to create Buena Vista Social Club. But González was busy celebrating the history of Cuban music long before Cooder arrived on the scene. Concurrently with the Buena Vista project, González was recording an album with his own band, The Afro-Cuban All Stars. The orchestra now contains expatriate Cuban musicians, young and old alike, from around the world.During a recent visit to Seattle, the orchestra stopped by for a three-song studio session at Jazz24 — and, as host Abe Beeson says, “If this music doesn’t move you, you’ve got no place to go.” (03/02/2013)

SET LIST
“Dundunbanza” (Arsenio Rodriguez)
“El Son de Baloy” (Felix Baloy)
“El Cuarto de Tula” (Sergio Siaba)

CREDITS
Interviewer: Abe Beeson
Photos: Justin Steyer
Video: KCTS 9 for Jazz24

Click here to watch the full video

Afro-Cuban Allstars on TKA