Eli Paperboy Reed grew up immersed in the country music of his father’s extensive record collection, learning names like George Jones and Waylon Jennings. Among all the albums, one artist stood out: the outlaw Merle Haggard. “He could get to the heart of these extraordinarily complicated emotional sentiments in two-and-a-half minutes, and that was something that really stuck with me as I began to find my own path as a songwriter,” says Reed. “Mama Tried” is the first single from Reed’s new tribute to Haggard called Down Every Road. It faithfully retains the original melody and even much of the personality of the 1968 hit, but Reed ups the pace with his own take on Memphis soul and gives it a modern rendering you could almost imagine Haggard delivering himself.

Down Every Road stems from an idea that Reed has contemplated since the earliest days of his career, setting Haggard favorites against the soul music that he’s become best-known for in his own celebrated work. Keeping almost all of the country legend’s original melodies and song structures intact, Reed brings fresh perspective by adding Pops Staples-inspired guitar, FAME production trademarks, Stax horns, ferociously cathartic vocals and organs conjuring Memphis soul. Ultimately, with this deferential but radically-reworked approach, he proves that the heart and guts and truth at the core of Merle Haggard’s songwriting defy genre altogether. Down Every Road comes out everywhere on April 29th.

Read the #NowPlaying feature on NPR

Eli Paperboy Reed on TKA

“They nearly always come back,” said Béla Fleck. “All the people that leave bluegrass. I had a strong feeling that I’d be coming back as well.” 

My Bluegrass Heart, out now Renew Records, is that return the 15-time Grammy winner is talking about – the third chapter in a decades-spanning trilogy which, by his counting, started with 1988’s Drive and continued with The Bluegrass Sessions, released eleven years later. Over the long and lauded course of his unique creative run, Fleck – the world’s premier banjo virtuoso and a celebrated musical adventurer – has both dug deep into his instrument’s complex global history and unlocked the breadth of its possibilities. My Bluegrass Heart is a homecoming in sound, to be sure. 

And when you travel, you bring home something new. When the endlessly curious Fleck prepared to make The Bluegrass Sessions, for example, he contemplated some other musical wanderers: “It was ten years after the Drive album, and I had been doing the Flecktones for all that time; I was coming back thinking hmm… what have I learned that I can bring back to bluegrass?” he said. “It resonated with me how Coltrane and Charlie Parker, after studying a lot of music from outside of the jazz world, brought some truly great things back to it from the outside.” 

In some ways, Béla Fleck has always thought of himself as coming from the outside of bluegrass. “I don’t come from the South, and I always felt like there were people who were more truly focused on doing that bluegrass thing really well. What I tended to want to do more was expand the banjo’s role and look for new things to do with it. Despite that, I was always a bluegrass guy first and foremost. That was certainly the root of my musical soul.”

Read more on the Blue Ox Website

Béla Fleck on TKA

The King of the Chitlin’ Circuit. The Hardest Working Man in Showbiz. The Funkiest Man Alive. These are just three honorary titles bestowed on Bobby Rush, and he wears them all with joyous pride. Rush had planned to start the new year with two performances in London until Omicron cancelled his entire European tour, but relaxing at home in Jackson, Mississippi, the 88-year old exudes bonhomie. Covid-19 has already disrupted his life plenty, forcing a man who, until 2020, spent the past five decades working over 200 nights a year, to take time out. Did he relax? Rush laughs: “Sure I did. I got busy in my home studio cutting new material.”

This was after he recovered from coronavirus. “I was the first person in Mississippi to get Covid,” says Rush. “It was before they had the vaccines and I got real ill, hospitalised for five weeks. I survived through God’s grace and the fact that I’ve always kept fit, never touched drugs or alcohol. But it sure beat up on me like nothing else before.”

Rush’s 2021 autobiography I Aint Studdin’ Ya details this and many other scrapes in an epic American life. Considering he started performing aged 13 and released his first record in 1964, what’s most remarkable is a work ethic that has seen him win wider acclaim and audiences in recent years – picking up Grammys in 2017 and 2020, appearing in the Eddie Murphy movie Dolemite Is My Name and joining Queens of the Stone Age on stage – than ever before. Unlike John Lee Hooker and Johnny Cash, who were both successfully repositioned in their twilight years, Rush never enjoyed early fame. Instead, his growing audience is due purely to his skill as an entertainer. “People love my show cos I emphasise good times,” he says. “I encourage people to wear a smile, not a frown.”

Read the full article on The Guardian

Bobby Rush on TKA

Delvon Lamarr Organ Trio

Delvon Lamarr Organ Trio announced a new album, Cold As Weiss, set for release on February 11, 2022 via Colemine Records. The Seattle-based soul-jazz trio led by multi-talented musician Delvon Lamarr also shared the single, “Pull Your Pants Up.”

Cold As Weiss follows DLO3’s 2021 album I Told You So, which topped the Contemporary Jazz Album chart and cracked the Top 5 of the Jazz Album chart and Tastemaker Album chart. While drummer Dan Weiss had joined the group when I Told You So was announced, the new album Cold As Weiss, as the title suggests, is DLO3’s first release with the drummer.

The new single, “Pull Your Pants Up,” however, was humorously inspired by guitarist Jimmy James. Delvon Lamarr explained in a press release:

“On every DLO3 tour, at some point, we have to tell Jimmy James to pull his pants up,” Lamarr said. “After being blinded by his backside over and over and over again, we decided to write a song about it!”

Listen to DLO3 on “Pull Your Pants Up” below:

Read the full article on JamBase

Delvon Lamarr Organ Trio on TKA

Ranky Tanky’s Spring 2021 set from NPR’s Mountain Stage will be part of a special encore rebroadcast starting this Friday, December 17th. See below for local airtimes and stations.

Ranky Tanky have achieved many firsts for South Carolina’s West African-rooted Gullah community since their formation, earning yet another milestone at the 2019 GRAMMY Awards by taking home the Best Regional Roots Album prize for their sophomore release, Good Time. The album, which also hit No. 1 on Billboard’s Contemporary Jazz Chart, combines songs carried down through generations in the Sea Islands of the Southeastern United States with the band’s own original compositions in the Gullah tradition. In Ranky Tanky’s hands, this style of music has been described as “soulful honey to the ears” (NPR) while being covered by the New York Times, NPR’s Fresh Air and The TODAY Show, who had the band on for a performance.

Photo credit: Brian Blauser/Mountain Stage

Check local airtimes and stations on NPR

Ranky Tanky on TKA

Catherine Russell Send for Me

Grammy-nominated vocalist Catherine Russell has announced a new album called Send for Me, due to be released in the spring of 2022.

Russell has established herself as a prolific vocalist, working as a backup vocalist with the likes of Wynton Marsalis, Diana Ross, Madonna, David Bowie and Steely Dan before beginning an impressive solo career in 2006.

The new album follows her 2019 release Alone Together, which was nominated for the Grammy Award for best jazz vocal album and landed at No. 1 on JazzWeek’s year-end chart.

Russell’s eighth album as bandleader, Send for Me, features more than a dozen newly recorded tunes she carefully curated. “Songs that inspire or touch me in some way. When I find a song I like, it haunts me until I learn it,” Russell says. “The album is an invitation, welcoming the audience to come along on a journey.”

Read full article on Jazz.FM

Catherine Russell on TKA

Congrats to Twisted Pine, who took home “Americana Artist of the Year” at the 2021 Boston Music Awards! This is their second time receiving this honor, after winning in 2018.

Released in the Summer of 2020, Right Now is a cosmic map of the new and glistening journeys of Twisted Pine, the Boston-based spacecraft of a band that was once bluegrass but is now “something else, a wider version of a stringband, boundary jumpers akin to outfits like Punch Brothers, Nickel Creek, and Crooked Still [The Boston Globe].” The soundscape for this full-length sophomore release has all the sass of zero-gravity pop; the grooves of 2 a.m. funk jams; the astral flute and shoobedoos of 70s radio. “Punch Brothers meets Jean-Luc Ponty and Ian Anderson [Jethro Tull],” writes Folk Alley of the instrumental track “Amadeus Party” — and yet the lyric narratives are packed with the elements of earthling mountain music. “Right Now” aims to shut the careless mouth of an ex. “Papaya” whispers, “Don’t just pass me right by.”

“Dreamaway” describes a faith that comes and goes. “Don’t Come Over Tonight” demands a night off from a guy’s opinions. The covers pay homage to Father John Misty and Tex Logan — two points that intersect the plane of this exquisite world. Twisted Pine is Kathleen Parks (Newburgh, NY) on fiddle and lead vox; Dan Bui (Houston, TX) on mandolin; Chris Sartori (Concord, MA) on bass; and Twisted Pine’s newest addition, Anh Phung (Chilliwack, BC) on flute. Everybody sings. Twisted Pine plays under the influence of explorers Jerry Douglas (with whom the band occasionally tours), Bela Fleck, Sierra Hull, Billy Strings, The Wood Brothers, and Lake Street Dive and Crooked Still (label mates at Signature Sounds Recordings). Right Now was produced by Twisted Pine and by Dan Cardinal at Dimension Sound in Jamaica Plain (Boston), MA. 

See the full list of winners on Vanyaland

Twisted Pine on TKA

The Infamous Stringdusters released new single “Hard Line.” The song is the lead track on the jamgrass quintet’s forthcoming Toward The Fray studio album.

Toward The Fray is due out via Americana Vibes on February 18. Previously, the band, whose 2021 LP A Tribute To Bill Monroe earned a Grammy nomination, shared the album’s title track.

Multi-instrumentalist Jeremy Garrett weighed in on the new single. “This is a song about taking a hard line stance on something, and being so dug in you can’t ever change your mind,” explained Garrett. “What a beautiful thing it might be if we could all come to the table, so to speak, once again and have meaningful and truthful discussions about the things going on in our world.” Jeremy Garrett spoke about Toward The Fray and more on the latest episode of the Inside Out With Turner & Seth podcast.

Stream The Infamous Stringdusters’ “Hard Line” below:

Read full article on JamBase

The Infamous Stringdusters on TKA

Congratulations to all of the nominees for the 64th Grammy Awards! We’d like to highlight all the artists on our roster who were nominated this year for their incredible work.

32. Best Jazz Vocal Album
SuperBlue, Kurt Elling & Charlie Hunter

33. Best Jazz Instrumental Album
Side-Eye NYC (V1.IV), Pat Metheny

46. Best American Roots Performance
– “I Wish I Knew How It Would Feel To Be Free,” The Blind Boys of Alabama & Béla Fleck

49. Best Bluegrass Album
My Bluegrass Heart, Béla Fleck
A Tribute To Bill Monroe, The Infamous Stringdusters

50. Best Traditional Blues Album
100 Years Of Blues, Elvin Bishop & Charlie Musselwhite

Charles Llyod

“We played the Royal Albert Hall in 1964,” says Charles Lloyd, recollecting his first ever UK performance. “Packed it to the rafters.” He was 26, playing tenor saxophone in Cannonball Adderley’s majestic band and getting his first taste of a world beyond US jazz and blues clubs. “I’m looking forward to returning,” says Lloyd of this weekend’s appearance at the EFG London jazz festival.

Now 83, he speaks in a drawl that mixes jazz argot and spiritual entreaties – he says he spent the pandemic “building steps”, meaning to a higher plane rather than a DIY project – and is raring to re-engage with an audience. “I’ve been playing in front of audiences since I was nine. Been a professional musician since I was 12. It’s what I do.”

What Lloyd “does” is work alongside more giants of contemporary music than possibly anyone else alive. Born in Memphis, Tennessee, he grew up in a hotbed of jazz, blues and country music: Phineas Newborn and Booker Little, two Memphis jazz prodigies, were his closest teenage associates, but young Charles found playing blues paid best.

Read full interview on The Guardian

Charles Lloyd on TKA