To date, she has made five albums, played major festivals around the world and has been praised by The Wall Street Journal as “the best blues and jazz singer going today.” If she continues to deliver dramatic live performances like that one in New York, she’ll be just a few inches from the center spotlight before you know it.
Read the full article on THE SEATTLE TIMES
Singer, songwriter and bassist Meshell Ndegeocello shares details about her writing process on such songs as ‘If That’s Your Boyfriend (He Wasn’t Last Night)’, ‘I’m Diggin’ You – Like an Old Soul Record’, ‘Shopping for Jazz’ and ‘Conviction’. Meshell talks at length about her recent album Comet, Come to Me, her approach to the bass guitar, and her contributions to classic songs like Chaka Khan’s ‘Never Miss the Water’.
Read the full article at SODAJERKER.
Meshell Ndegeocello on TKA
Paul McCartney will forever be identified with The Beatles, but jazz guitarist John Pizzarelli has attempted on a new album to revive some of the legend’s lesser known solo tracks. Pizzarelli, a popular guitarist known both for his own songs and collaborations with other artists, said the ex-Beatle himself came up with the idea for the album, Midnight McCartney, which will come out on September 11.
Read the full article on Gulf News Music
John Pizzarelli on TKA
When a leading London daily, the Independent, tags Mali’s Bassekou Kouyaté and Ngoni Ba as “the best rock and roll band in the world”, you know there’s something very special about the seven-piece outfit and its leader.
Read the full article at THE GEORGIA STRAIGHT
Bassekou Kouyate on TKA
If the first thing that comes to mind when you hear the words “classical music” is stuffy older folks politely clapping for elevator music, you may want to reconsider. Chargaux, a Brooklyn-based duo that play the violin and viola, are using classical string arrangements in bold, soulful ways, and incorporating stunning visuals to help you see their sounds.
Read the full interview on EBONY
Chargaux on TKA
With their natural sisterlike chemistry and their innate way of finishing each other’s sentences, it would seem implausible that Margaux Whitney and Jasmin “Charly” Charles, the two women behind the classically trained string instrument duo Chargaux, haven’t known each other for a lifetime.
Read the full article on VOGUE
Chargaux on TKA
Saxophonist Jeff Coffin recently launched a Kickstarter project to help fund the release of his big band album, “Inside of the Outside,” which he recorded with Caleb Chapman’s Crescent Super Band and several other guest musicians. Proceeds from the album will benefit the Cuba National School of the Arts.
Read the full article on THE PARK RECORD
Jeff Coffin & the Mu’tet on TKA
Side Up, the latest album from saxophonist Jeff Coffin and his Mu’tet, is an eclectic mix of musical styles, influences and instrumental combinations reflecting the ensemble’s embrace of the idea that stasis-the same old, same old-is poor soil for musical growth. Music thrives when it pushes boundaries.
Read the full review on SEATTLEPI
In the mid-1980s, Gary Burton was just entering middle age, but he’d had experiences as a jazz player to fill several lifetimes. Duke Ellington had treated him with kindness, Milt Jackson with suspicion, Miles Davis with a death threat. Burton’s memoir, “Learning to Listen,” tells these stories and situates its author’s own major contributions in jazz’s history.
Burton’s memoir, “Learning to Listen,” tells these stories and situates its author’s own major contributions in jazz’s history. After leaving Getz in 1966, Burton — with guitarist Larry Coryell and others — pioneered jazz-rock fusion and played venues like the Fillmore in San Francisco. As a player, he brought his four-mallet technique and “Burton grip” to the vibraphone and marimba, expanding the potential for those instruments in both lead and support settings. As a bandleader, he spotted and mentored the likes of Pat Metheny.
Read the full article on THE BOSTON GLOBE
Gary Burton on TKA
Gary Burton plays an instrument rarely heard in Nashville recording studios — the vibraphone. In fact, the scarcity of this instrument is the reason Burton got his first break towards becoming a professional musician.
Read the full article on SOMETHINGELSEREVIEWS
Gary Burton on TKA